Four
Letter Words and Other Uncomfortable Truths
I recently read a young adult author's
blog where the author mentioned receiving an irate
letter from a mother. The mother explained that her
daughter had been reading and enjoying said author's
books until she encountered the F-word in one and
offended, stopped reading. The mother said that in
their household they never use the F-word and that
in doing so the author chose incorrectly. Further,
she notes that the author's books may have some redeeming
value - "but at what cost?"
This raises so many issues that I don't
know where to start
perhaps by pondering why
the F-word is objectionable when society appears to
overlook so much other offensive material. Not long
ago I linked to an article where Lily
Allen criticized MTV for banning one of her videos
for containing the very word that so upset the mother
mentioned above. Allen said: "They (MTV) said,
'We don't want kids to grow up too quickly,' but then
you have Paris Hilton and the Pussycat Dolls taking
their clothes off and gyrating up against womanizing
men, and that's acceptable."
But perhaps this particular mother isn't
just targeting the F-word and is equally upset about
the hyper-sexual portrayal of girls and women in music
videos and other media, of videogame violence and
unsavoury internet activities. Who knows? Either way,
to sum up that the author chose wrongly because of
one word is simplistic. As a writer, to back away
from that word (or any other) when a situation calls
for it is dishonest. When reading and writing realistic
fiction we're all going to encounter situations and
language we don't like. It doesn't necessarily mean
the author approves of a given character's language
or actions but there's not much point writing realistic
fiction if you're not aiming to capture some truth.
However we may try to shield them from
it, children are being exposed to ever more sex and
violence in the media, at younger and younger ages.
Girls are even going through puberty younger (an
average of one to two years earlier than they did
30 years ago). Young people need writing that
addresses their social situations (for better or for
worse), to help them critically reflect on their own
lives and choices. Can this be accomplished without
the F-word? Sure
sometimes. But if a tough as
nails angry young woman character stubs her toe after
experiencing the worst Monday morning of her life
the first word out of her mouth may not be "fudge"
or "sugar." May not be. Maybe she
prides herself on holding her tongue or
well,
the rationales are endless but they're not going to
work for every character, in every situation.
Writing realistic teen fiction means
that some characters will swear, have one night stands,
help build houses for Habitat For Humanity, deal drugs,
score a scholarship to Oxford. In some cases this
could even be the same person but the minute a character
who would, in reality, swear doesn't the reader
has cause to question the veracity of the world the
author has created. Hold back on too many fronts (repeatedly
avoiding undesirable language and situations) and
the entire novel may crumble under the weight of its
apprehensions, at which point the work is of no use
to anyone.
As you can imagine, the author remarked
that it was unfortunate a reader felt this way but
that it wouldn't change the way he/she wrote. Perhaps
the disapproving mother will find other F-word free
material for her daughter but in excluding this particular
writer's books from her reading list she will be missing
out on many ultimately positive novels which have
tackled weighty issues like sexual assault, teen pregnancy
and domestic abuse with great sensitivity and insight.
Apparently that's the price of indiscriminately avoiding
a certain four letter word.